Heavy Virgo Crimson

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Latin virgo, virgin-or-maiden-of-the-zodiac. As a color modifier, virgo implies a maiden-and-earth-sign-and-Mercury-ruled-mutable-earth quality, the visual register of Hellenic-Virgo-and-Astraea-maiden hand-maiden-and-earth-sign-and-Mercury-ruled-mutable-earth Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain virgo-and-maiden-and-earth-sign surfaces under Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain late-summer-and-August-and-September mutable-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to leo and libra in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.