Velvety Goth Crimson

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Greek Gothi, Goths. As a color modifier, goth implies a Germanic-tribal-migration quality, the visual register of Visigothic-and-Ostrogothic-Kingdoms late-Roman-period hand-built Germanic-Migration-period kingdom-and-fortification surfaces under Visigothic-Spain-and-Ostrogothic-Italy late-Roman Migration-Period sky. Sits at the modifier-and-cultural end of the grid, parallel to vandal and hun in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.