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Bastioned Stalk Crimson

#b62b21
Notes

Bastioned Stalk Crimson (#B62B21) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (4°, 69%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b62b21
RGB
rgb(182, 43, 33)
HSL
hsl(4, 69%, 42%)
HWB
hwb(4 13% 29%)
OKLCH
oklch(51.1% 0.177 29.0)
P3
color(display-p3 0.6569 0.2177 0.1664)
HSV
hsv(4, 82%, 71%)
LAB
lab(40.87% 54.38 40.19)
LCH
lch(40.87% 67.62 36.47)
CMYK
cmyk(0%, 76%, 82%, 29%)

Etymology

Bastioned
adjective

Italian bastionato, fortified-with-bastions — past-participle of bastion, derived from bastia (fortified-tower). As a color modifier, bastioned implies a saturated-and-fortified-and-projecting quality, the deep-rich color of Vauban-period military-fortress star-fort projecting-bastion stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.

Stalk
modifier

Old English stealcung, to-walk-stealthily. As a color modifier, stalk implies a deliberate-and-stealthy-and-tracked quality, the visual register of Highland-stalker-and-stag-stalk hand-deliberate-and-stealthy-and-tracked Highland-stalker-and-stag-and-tracker stalked-and-deliberate-and-stealthy-and-tracked surfaces under Highland-stalker-and-stag-and-tracker heather-moor-and-corrie-and-deer-forest tracked-and-stealthy-light. Sits at the modifier-and-mood end of the grid, parallel to prowl and creep in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b62b21
Original
#564d1e
Protanopia
#786b1a
Deuteranopia
#c9002a
Tritanopia
#484848
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.36:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B62B21
Display P3
Display P3
color(display-p3 0.6569 0.2177 0.1664)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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