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Lavish Brass

#b56812
Notes

Lavish Brass (#B56812) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (32°, 82%, 39%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b56812
RGB
rgb(181, 104, 18)
HSL
hsl(32, 82%, 39%)
HWB
hwb(32 7% 29%)
OKLCH
oklch(59.2% 0.132 60.7)
P3
color(display-p3 0.6686 0.4225 0.1658)
HSV
hsv(32, 90%, 71%)
LAB
lab(51.58% 25.27 55.32)
LCH
lch(51.58% 60.82 65.45)
CMYK
cmyk(0%, 43%, 90%, 29%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Brass
noun

The alloy of copper and zinc — softer than bronze, more golden, and easier to cast into the hardware that fills any nineteenth-century parlor: candlesticks, doorknobs, instrument bells. The color refers to polished raw brass: a warm, slightly green-shifted gold with the satin finish of cast metal. The defining color of trumpets, trombones, and the door fittings of London townhouses.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b56812
Original
#807000
Protanopia
#928213
Deuteranopia
#c75659
Tritanopia
#727272
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.24:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B56812
Display P3
Display P3
color(display-p3 0.6686 0.4225 0.1658)
P3 has subtle headroomOKLCH chroma 0.132

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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