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Brimming Saturn Crimson

#b5342a
Notes

Brimming Saturn Crimson (#B5342A) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 62%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b5342a
RGB
rgb(181, 52, 42)
HSL
hsl(4, 62%, 44%)
HWB
hwb(4 16% 29%)
OKLCH
oklch(51.9% 0.167 28.7)
P3
color(display-p3 0.6547 0.2441 0.1946)
HSV
hsv(4, 77%, 71%)
LAB
lab(41.92% 51.18 36.26)
LCH
lch(41.92% 62.72 35.31)
CMYK
cmyk(0%, 71%, 77%, 29%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Saturn
modifier

Latin Saturnus, Roman-god-of-time-and-sixth-planet. As a color modifier, saturn implies a Roman-god-of-time-and-ringed-sixth-planet quality, the visual register of Roman-Saturn-and-Cassini-rings hand-Roman-god-of-time-and-ringed-sixth-planet Roman-Saturn-and-Cassini-rings-and-Saturnalia saturn-and-Roman-god-of-time-and-ringed-planet surfaces under Roman-Saturn-and-Cassini-rings-and-Saturnalia Saturnalia-festival-and-ringed-gas-giant ringed-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to jupiter and neptune in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b5342a
Original
#5a5128
Protanopia
#7a6d25
Deuteranopia
#c70033
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.02:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.49:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B5342A
Display P3
Display P3
color(display-p3 0.6547 0.2441 0.1946)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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