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Sturdy Roman Rose

#b50240
Notes

Sturdy Roman Rose (#B50240) is a true magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (339°, 98%, 36%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b50240
RGB
rgb(181, 2, 64)
HSL
hsl(339, 98%, 36%)
HWB
hwb(339 1% 29%)
OKLCH
oklch(49.3% 0.196 13.1)
P3
color(display-p3 0.6501 0.1330 0.2592)
HSV
hsv(339, 99%, 71%)
LAB
lab(38.27% 63.50 18.44)
LCH
lch(38.27% 66.12 16.19)
CMYK
cmyk(0%, 99%, 65%, 29%)

Etymology

Sturdy
adjective

Old French estourdi, stunned, reckless — drifted in English to mean robust, well-built. Used as a color modifier since the seventeenth century for hues that read as durable and unfussy — the working browns of saddle leather, the working greens of pasture wool. Sits in the bold-and-warm corner alongside robust and solid.

Roman
modifier

Latin Romanus, of-Rome. As a color modifier, roman implies an empire-built-and-classical quality, the visual register of Roman-Imperial hand-laid pavement-and-fresco-and-bronze-and-marble Republican-Imperial classical surfaces under Mediterranean-Roman-Imperial classical-architecture afternoon light. Sits at the modifier-and-cultural end of the grid, parallel to etruscan and hellenic in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b50240
Original
#464441
Protanopia
#6f663b
Deuteranopia
#c70025
Tritanopia
#2d2d2d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.89:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B50240
Display P3
Display P3
color(display-p3 0.6501 0.1330 0.2592)
P3 has visible headroomOKLCH chroma 0.196

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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