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Practical Ishtar Topaz

#b4f2eb
Notes

Practical Ishtar Topaz (#B4F2EB) is a soft teal with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (173°, 70%, 83%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b4f2eb
RGB
rgb(180, 242, 235)
HSL
hsl(173, 70%, 83%)
HWB
hwb(173 71% 5%)
OKLCH
oklch(91.7% 0.063 187.5)
P3
color(display-p3 0.7567 0.9422 0.9205)
HSV
hsv(173, 26%, 95%)
LAB
lab(91.33% -20.82 -2.94)
LCH
lch(91.33% 21.03 188.04)
CMYK
cmyk(26%, 0%, 3%, 5%)

Etymology

Practical
adjective

Greek praktikós, practical — adjectival suffix -al. As a color modifier, practical implies a clear-and-purpose-fit-and-everyday quality where the hue carries the visual register of Shaker-and-Quaker utilitarian-and-functional everyday-life craft. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

Ishtar
modifier

Akkadian Ištar, Babylonian-goddess-of-love-and-war. As a color modifier, ishtar implies a Babylonian-Venus-and-eight-pointed-star quality, the visual register of Babylonian-Ishtar-Gate-and-Mesopotamian-temple hand-Babylonian-Venus-and-eight-pointed-star Babylonian-Ishtar-Gate-and-Mesopotamian-temple-and-Akkadian-cylinder-seal ishtar-and-Babylonian-Venus-and-eight-pointed-star surfaces under Babylonian-Ishtar-Gate-and-Mesopotamian-temple-and-Akkadian-cylinder-seal Babylon-and-Nineveh-and-Mari blue-glazed-brick-light. Sits at the modifier-and-myth end of the grid, parallel to isis and hera in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b4f2eb
Original
#ebebeb
Protanopia
#e0e3ec
Deuteranopia
#a1f5f0
Tritanopia
#e4e4e4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
16.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B4F2EB
Display P3
Display P3
color(display-p3 0.7567 0.9422 0.9205)
Inside sRGBOKLCH chroma 0.063

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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