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Etched Mûre

#b47ead
Notes

Etched Mûre (#B47EAD) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (308°, 26%, 60%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b47ead
RGB
rgb(180, 126, 173)
HSL
hsl(308, 26%, 60%)
HWB
hwb(308 49% 29%)
OKLCH
oklch(66.3% 0.092 331.1)
P3
color(display-p3 0.6744 0.5030 0.6677)
HSV
hsv(308, 30%, 71%)
LAB
lab(59.57% 28.62 -16.54)
LCH
lch(59.57% 33.05 329.97)
CMYK
cmyk(0%, 30%, 4%, 29%)

Etymology

Etched
adjective

German ätzen, to etch — past-participle of etch. As a color modifier, etched implies a clear-and-precisely-incised quality, the crisp color of Rembrandt-and-Dürer hand-pulled etching-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to engraved and inscribed in usage.

Mûre
noun

French for blackberry / mulberry (Rubus fruticosus / Morus nigra) — the deep-violet aggregate-drupe of European hedgerows and Morus tree-fruit, both important anthocyanin-rich autumn fruits. Mûre color refers to a freshly picked Rubus fruticosus aggregate-drupe in a Berry hedgerow: a saturated, slightly cool deep violet with the matte finish of anthocyanin-rich aggregate-drupelet cluster on hand-collected fruit.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b47ead
Original
#7d8baf
Protanopia
#8992ab
Deuteranopia
#b9818f
Tritanopia
#8d8d8d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.22:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B47EAD
Display P3
Display P3
color(display-p3 0.6744 0.5030 0.6677)
P3 has subtle headroomOKLCH chroma 0.092

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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