colors
Back to gallery

Calm Bishop

#b479c5
Notes

Calm Bishop (#B479C5) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (287°, 40%, 62%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b479c5
RGB
rgb(180, 121, 197)
HSL
hsl(287, 40%, 62%)
HWB
hwb(287 47% 23%)
OKLCH
oklch(66.4% 0.127 318.5)
P3
color(display-p3 0.6721 0.4845 0.7548)
HSV
hsv(287, 39%, 77%)
LAB
lab(59.35% 36.08 -30.53)
LCH
lch(59.35% 47.27 319.76)
CMYK
cmyk(9%, 39%, 0%, 23%)

Etymology

Calm
adjective

Latin calma, heat of the day — paradoxically drifted in Italian to mean stillness. Used as a color modifier since the seventeenth century for hues that read as untroubled. Calm blue, calm gray: moderate saturation combined with optical quiet. Sits at the crisp-bucket near quiet and steady.

Bishop
noun

Greek epískopos via Latin episcopus, overseer — the ecclesiastical office whose Roman-Catholic and Anglican vesture includes a deep-violet cassock under white rochet and chimere. Bishop color refers to a contemporary Roman-Catholic episcopal cassock: a saturated, slightly cool deep violet with the matte finish of vat-dyed liturgical wool. Distinct from the deep-red cardinal cassock and the white papal cassock.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b479c5
Original
#6e8bc8
Protanopia
#7d91c3
Deuteranopia
#b48296
Tritanopia
#8b8b8b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.24:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B479C5
Display P3
Display P3
color(display-p3 0.6721 0.4845 0.7548)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas