Imperial Barn Crimson

From the Latin imperialis, of the empire — applied to color since the medieval period for the hues reserved for sovereigns and empires: imperial purple of Tyrian dye, imperial yellow of Ming-dynasty porcelain. As a modifier, imperial implies saturation combined with the institutional weight of a color owned by a court. Sits in the bold-and-deep corner, alongside royal.

Old English bere-ærn, barley-house. As a color modifier, barn implies a hay-loft-and-stable quality, the visual register of English-and-American tithe-barn-and-Pennsylvania-bank-barn timber-frame-and-stone agricultural surfaces under Midwest-and-English-rural barnyard farmstead light. Sits at the modifier-and-place end of the grid, parallel to loft and mill in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.