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Steadfast Kilt Crimson

#b42724
Notes

Steadfast Kilt Crimson (#B42724) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (1°, 67%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b42724
RGB
rgb(180, 39, 36)
HSL
hsl(1, 67%, 42%)
HWB
hwb(1 14% 29%)
OKLCH
oklch(50.5% 0.178 27.3)
P3
color(display-p3 0.6492 0.2053 0.1731)
HSV
hsv(1, 80%, 71%)
LAB
lab(40.06% 55.12 37.61)
LCH
lch(40.06% 66.73 34.31)
CMYK
cmyk(0%, 78%, 80%, 29%)

Etymology

Steadfast
adjective

Old English stede-fæst, fixed in place — sharing root with German stetig. As a color modifier, steadfast implies a saturated-and-unwavering quality where the hue maintains its visual character without modulation. Sits at the bold-and-firm end of the grid, parallel to unwavering and firm in usage.

Kilt
modifier

Scots kilt, Highland-pleated-skirt. As a color modifier, kilt implies a Highland-tartan-and-pleated-skirt quality, the visual register of Highland-tartan-and-Black-Watch-kilt hand-Highland-tartan-and-pleated-skirt Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod kilt-and-Highland-tartan surfaces under Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod Highland-clan-and-Edinburgh-tartan-mill tartan-and-pleated-light. Sits at the modifier-and-textile end of the grid, parallel to sash and tabard in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b42724
Original
#534b22
Protanopia
#76691d
Deuteranopia
#c70028
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.45:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.26:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B42724
Display P3
Display P3
color(display-p3 0.6492 0.2053 0.1731)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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