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Frenetic Yarn Lime

#b3e35d
Notes

Frenetic Yarn Lime (#B3E35D) is a true lime with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (81°, 71%, 63%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b3e35d
RGB
rgb(179, 227, 93)
HSL
hsl(81, 71%, 63%)
HWB
hwb(81 36% 11%)
OKLCH
oklch(85.5% 0.170 126.4)
P3
color(display-p3 0.7400 0.8848 0.4404)
HSV
hsv(81, 59%, 89%)
LAB
lab(84.64% -35.54 59.03)
LCH
lch(84.64% 68.90 121.05)
CMYK
cmyk(21%, 0%, 59%, 11%)

Etymology

Frenetic
adjective

Greek phrenitikós, frenzied — adjectival suffix -ic, derived from phrēn (mind). As a color modifier, frenetic implies a saturated-and-frenzied-and-active quality, the bright color of Hyper-Color-and-Memphis-Group 1980s-design saturated-and-active visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frantic and manic in usage.

Yarn
modifier

Old English gearn, spun-thread. As a color modifier, yarn implies a hand-spun-thread-and-skein quality, the visual register of hand-spun-yarn-skein hand-spun-and-skeined wool-and-cotton-and-linen hand-spun-yarn-and-skein surfaces under hand-spun-and-skeined yarn-and-skein workshop-light. Sits at the modifier-and-texture end of the grid, parallel to spun and knit in usage.

Lime
noun

Citrus aurantiifolia and its key-lime cousin — small, intensely sour green citrus carried by Arab traders from Southeast Asia to the Mediterranean by the eleventh century, then to the Caribbean with Columbus. The color refers to the skin of a fully ripe Persian lime: a saturated, slightly yellow-shifted green with the matte finish of citrus rind. Cooler than chartreuse, sharper than sage, with the same chlorophyll the fruit loses if left to ripen to yellow.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b3e35d
Original
#eed54e
Protanopia
#e7d366
Deuteranopia
#b9d9c6
Tritanopia
#cfcfcf
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.49:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.06:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B3E35D
Display P3
Display P3
color(display-p3 0.7400 0.8848 0.4404)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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