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Centered Mistral Crimson

#b32f26
Notes

Centered Mistral Crimson (#B32F26) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (4°, 65%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b32f26
RGB
rgb(179, 47, 38)
HSL
hsl(4, 65%, 43%)
HWB
hwb(4 15% 30%)
OKLCH
oklch(51.0% 0.170 28.6)
P3
color(display-p3 0.6467 0.2278 0.1807)
HSV
hsv(4, 79%, 70%)
LAB
lab(40.83% 52.23 37.23)
LCH
lch(40.83% 64.14 35.48)
CMYK
cmyk(0%, 74%, 79%, 30%)

Etymology

Centered
adjective

Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.

Mistral
modifier

Provençal mistral, cold-northwest-wind-of-Provence. As a color modifier, mistral implies a cold-Provençal-and-Rhône-Valley-wind quality, the visual register of Provençal-and-Rhône-Valley-mistral hand-cold-Provençal-and-Rhône-Valley-wind Provençal-and-Rhône-Valley-mistral-and-Alpilles mistral-and-cold-Provençal-and-Rhône-Valley-wind surfaces under Provençal-and-Rhône-Valley-mistral-and-Alpilles Avignon-and-Saint-Rémy-and-Camargue cold-Rhône-Valley-wind-light. Sits at the modifier-and-weather end of the grid, parallel to sirocco and gust in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b32f26
Original
#574e24
Protanopia
#776b20
Deuteranopia
#c5002e
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.35:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B32F26
Display P3
Display P3
color(display-p3 0.6467 0.2278 0.1807)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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