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Adamant Athens Fuchsia

#b328ca
Notes

Adamant Athens Fuchsia (#B328CA) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (291°, 67%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b328ca
RGB
rgb(179, 40, 202)
HSL
hsl(291, 67%, 47%)
HWB
hwb(291 16% 21%)
OKLCH
oklch(56.8% 0.244 321.3)
P3
color(display-p3 0.6457 0.2075 0.7655)
HSV
hsv(291, 80%, 79%)
LAB
lab(46.13% 72.65 -54.30)
LCH
lch(46.13% 90.70 323.23)
CMYK
cmyk(11%, 80%, 0%, 21%)

Etymology

Adamant
adjective

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Athens
modifier

Greek Ἀθῆναι, Athens. As a color modifier, athens implies an Acropolis-and-philosophical-city-state quality, the visual register of Athenian-Classical-City-State hand-built Acropolis-and-Parthenon-and-marble-temple-and-pottery Doric-and-Ionic-and-Corinthian surfaces under Athenian-Acropolis-and-Parthenon classical Aegean-marble-temple light. Sits at the modifier-and-cultural end of the grid, parallel to sparta and greek in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b328ca
Original
#0064ce
Protanopia
#3f72c6
Deuteranopia
#b44c7a
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.16:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.07:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B328CA
Display P3
Display P3
color(display-p3 0.6457 0.2075 0.7655)
P3 has visible headroomOKLCH chroma 0.244

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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