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Royal Uranus Fuchsia

#b324ca
Notes

Royal Uranus Fuchsia (#B324CA) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (292°, 70%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b324ca
RGB
rgb(179, 36, 202)
HSL
hsl(292, 70%, 47%)
HWB
hwb(292 14% 21%)
OKLCH
oklch(56.6% 0.247 321.4)
P3
color(display-p3 0.6452 0.1965 0.7653)
HSV
hsv(292, 82%, 79%)
LAB
lab(45.79% 73.66 -54.86)
LCH
lch(45.79% 91.84 323.32)
CMYK
cmyk(11%, 82%, 0%, 21%)

Etymology

Royal
noun

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.

Uranus
modifier

Greek Οὐρανός, primeval-sky-god-and-seventh-planet. As a color modifier, uranus implies a primeval-sky-god-and-pale-cyan-seventh-planet quality, the visual register of Greek-Uranus-and-Herschel-discovery hand-primeval-sky-god-and-pale-cyan-seventh-planet Greek-Uranus-and-Herschel-discovery-and-tilted-axis uranus-and-primeval-sky-god surfaces under Greek-Uranus-and-Herschel-discovery-and-tilted-axis 1781-Slough-discovery-and-side-rolling-planet pale-cyan-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to neptune and saturn in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b324ca
Original
#0063ce
Protanopia
#3d71c6
Deuteranopia
#b44a7a
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.22:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B324CA
Display P3
Display P3
color(display-p3 0.6452 0.1965 0.7653)
P3 has visible headroomOKLCH chroma 0.247

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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