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Commanding Cape Fuchsia

#b318c3
Notes

Commanding Cape Fuchsia (#B318C3) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (294°, 78%, 43%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b318c3
RGB
rgb(179, 24, 195)
HSL
hsl(294, 78%, 43%)
HWB
hwb(294 9% 24%)
OKLCH
oklch(55.5% 0.249 323.6)
P3
color(display-p3 0.6440 0.1672 0.7388)
HSV
hsv(294, 88%, 76%)
LAB
lab(44.49% 74.97 -52.88)
LCH
lch(44.49% 91.75 324.81)
CMYK
cmyk(8%, 88%, 0%, 24%)

Etymology

Commanding
adjective

Latin commendāre, to entrust / order — present-participle of command. As a color modifier, commanding implies a saturated-and-authoritative quality where the hue claims visual leadership of its surrounding palette. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and imperial in usage.

Cape
modifier

Latin cappa, hooded-cloak. As a color modifier, cape implies a hooded-cloak-and-shoulder-cape quality, the visual register of Spanish-capa-and-Italian-cappa-magna hand-hooded-cloak-and-shoulder-cape Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa cape-and-hooded-cloak-and-shoulder-cape surfaces under Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa Iberian-and-Italian-Renaissance Iberian-cape-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cope in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b318c3
Original
#005ec7
Protanopia
#3f6fbf
Deuteranopia
#b64274
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.84:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B318C3
Display P3
Display P3
color(display-p3 0.6440 0.1672 0.7388)
P3 has visible headroomOKLCH chroma 0.249

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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