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Settled Mass Mint

#b2f3cc
Notes

Settled Mass Mint (#B2F3CC) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (144°, 73%, 83%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b2f3cc
RGB
rgb(178, 243, 204)
HSL
hsl(144, 73%, 83%)
HWB
hwb(144 70% 5%)
OKLCH
oklch(91.0% 0.084 157.9)
P3
color(display-p3 0.7518 0.9459 0.8108)
HSV
hsv(144, 27%, 95%)
LAB
lab(90.74% -28.10 12.32)
LCH
lch(90.74% 30.68 156.33)
CMYK
cmyk(27%, 0%, 16%, 5%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Mass
modifier

Latin missa, Mass-of-the-Eucharist. As a color modifier, mass implies a Eucharistic-and-liturgical-feast quality, the visual register of Roman-Catholic-and-Anglican-Mass Eucharistic-and-liturgical-feast altar-and-vestment-and-incense liturgical-Mass surfaces under Mass-and-Eucharistic-feast altar-candle-and-incense light. Sits at the modifier-and-time end of the grid, parallel to vigil and vesper in usage.

Mint
noun

The genus Mentha — peppermint, spearmint, apple mint, water mint — the cooling herb whose menthol gives it that quality at the molecular level. The color refers to fresh peppermint leaves before drying: a clean, slightly cool green with the matte finish of trichome-rich leaf surface. Lighter than basil, cooler than parsley, with the mojito-and-Pimm's association of a herb tied to summer drinks across two continents.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b2f3cc
Original
#f2e9ca
Protanopia
#e7e1ce
Deuteranopia
#a6f2e8
Tritanopia
#e2e2e2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
16.59:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B2F3CC
Display P3
Display P3
color(display-p3 0.7518 0.9459 0.8108)
P3 has subtle headroomOKLCH chroma 0.084

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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