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Gaudy Gloss Lime

#b2e561
Notes

Gaudy Gloss Lime (#B2E561) is a true lime with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (83°, 72%, 64%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b2e561
RGB
rgb(178, 229, 97)
HSL
hsl(83, 72%, 64%)
HWB
hwb(83 38% 10%)
OKLCH
oklch(86.0% 0.170 127.4)
P3
color(display-p3 0.7388 0.8923 0.4531)
HSV
hsv(83, 58%, 90%)
LAB
lab(85.18% -36.48 57.88)
LCH
lch(85.18% 68.42 122.22)
CMYK
cmyk(22%, 0%, 58%, 10%)

Etymology

Gaudy
adjective

Middle English gaude, trick / showy ornament — adjectival suffix -y. As a color modifier, gaudy implies a saturated-and-cheaply-bright-and-overdone quality, the bright color of carnival-and-fairground novelty-attraction painted-and-lit decoration. Sits at the bright-and-flamboyant end of the grid, parallel to garish and lurid in usage.

Gloss
modifier

Old Norse glosi, glossy-shine. As a color modifier, gloss implies a polished-and-reflective-shine quality, the visual register of polished-and-glossy-leather-and-lacquer hand-polished-and-glossy lacquer-and-shellac-and-varnish polished-and-glossy-shine surfaces under polished-and-glossy-lacquer workshop-light. Sits at the modifier-and-texture end of the grid, parallel to sheen and shine in usage.

Lime
noun

Citrus aurantiifolia and its key-lime cousin — small, intensely sour green citrus carried by Arab traders from Southeast Asia to the Mediterranean by the eleventh century, then to the Caribbean with Columbus. The color refers to the skin of a fully ripe Persian lime: a saturated, slightly yellow-shifted green with the matte finish of citrus rind. Cooler than chartreuse, sharper than sage, with the same chlorophyll the fruit loses if left to ripen to yellow.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b2e561
Original
#f0d753
Protanopia
#e8d46a
Deuteranopia
#b8dcc8
Tritanopia
#d1d1d1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B2E561
Display P3
Display P3
color(display-p3 0.7388 0.8923 0.4531)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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