Pallid Larimar
Pallid Larimar (#B2D0CC) is a soft teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (172°, 24%, 76%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin pallidus, pale. As a color modifier, pallid implies a pale-and-drained-of-color quality where the hue carries the visual register of Edwardian-period drained-of-vitality-and-pale dimmed-lighting interior color-finish. Sits at the pale-and-drained end of the grid, parallel to wan and pasty in usage.
A blue variety of pectolite — a calcium-sodium silicate — found only in one mountain range in the Dominican Republic. Marketed as a gemstone since the 1970s and named after a Spanish word for the sea. The color refers to a polished larimar cabochon: a soft, slightly muted light blue with the cloudy translucency of pectolite. Lighter than aqua, warmer than glacier, with the gem-trade specificity of a stone that occurs in exactly one place on Earth.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.