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Heavy Kyomurasaki

#b246dc
Notes

Heavy Kyomurasaki (#B246DC) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (283°, 68%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b246dc
RGB
rgb(178, 70, 220)
HSL
hsl(283, 68%, 57%)
HWB
hwb(283 27% 14%)
OKLCH
oklch(60.4% 0.228 314.9)
P3
color(display-p3 0.6477 0.3015 0.8343)
HSV
hsv(283, 68%, 86%)
LAB
lab(50.70% 65.56 -57.28)
LCH
lch(50.70% 87.06 318.85)
CMYK
cmyk(19%, 68%, 0%, 14%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Kyomurasaki
noun

Kyoto purple (京紫) — the warmer red-tinted purple of the Heian-period imperial court at Kyoto, distinguished from the cooler Edo-period edomurasaki. Kyomurasaki color refers to a Kyoto-court ceremonial kariginu hunting robe: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root-and-akane (madder) dye on woven silk crepe. Slightly warmer than Edomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b246dc
Original
#0073e0
Protanopia
#417cd9
Deuteranopia
#af648c
Tritanopia
#686868
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B246DC
Display P3
Display P3
color(display-p3 0.6477 0.3015 0.8343)
P3 has visible headroomOKLCH chroma 0.228

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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