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Conquering Brindisi

#b239a8
Notes

Conquering Brindisi (#B239A8) is a true violet with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (305°, 51%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b239a8
RGB
rgb(178, 57, 168)
HSL
hsl(305, 51%, 46%)
HWB
hwb(305 22% 30%)
OKLCH
oklch(56.0% 0.199 331.4)
P3
color(display-p3 0.6448 0.2585 0.6399)
HSV
hsv(305, 68%, 70%)
LAB
lab(45.93% 61.28 -34.72)
LCH
lch(45.93% 70.43 330.47)
CMYK
cmyk(0%, 68%, 6%, 30%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Brindisi
noun

Italian Adriatic port city — once the Roman Brundisium, terminus of the Via Appia, and a major Phoenician-and-Roman purpura shellfish-dye production center. Brindisi color refers to a Brindisi-dyed Roman toga praetexta with its purple-edged border: a saturated, slightly cool deep violet with the matte finish of multi-bath murex-shellfish dye on multi-rolled woolen toga fabric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b239a8
Original
#3162ab
Protanopia
#5d73a5
Deuteranopia
#b9466c
Tritanopia
#5b5b5b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.19:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B239A8
Display P3
Display P3
color(display-p3 0.6448 0.2585 0.6399)
P3 has visible headroomOKLCH chroma 0.199

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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