Gladiatorial Tyr Crimson

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Old Norse Týr, one-handed-god-of-justice-and-war. As a color modifier, tyr implies a one-handed-god-and-Fenrir-binding-and-justice quality, the visual register of Norse-Tyr-and-Fenrir-binding hand-one-handed-god-and-Fenrir-binding-and-justice Norse-Tyr-and-Fenrir-binding-and-Tiwaz-rune tyr-and-one-handed-god-and-Fenrir-binding surfaces under Norse-Tyr-and-Fenrir-binding-and-Tiwaz-rune Asgard-pantheon-and-Tiwaz-rune-stone justice-and-binding-light. Sits at the modifier-and-myth end of the grid, parallel to thor and odin in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.