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Adamant Brindisi

#b2009c
Notes

Adamant Brindisi (#B2009C) is a true violet with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (307°, 100%, 35%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b2009c
RGB
rgb(178, 0, 156)
HSL
hsl(307, 100%, 35%)
HWB
hwb(307 0% 30%)
OKLCH
oklch(52.3% 0.232 335.3)
P3
color(display-p3 0.6391 0.1272 0.5929)
HSV
hsv(307, 100%, 70%)
LAB
lab(41.01% 71.90 -35.31)
LCH
lch(41.01% 80.10 333.84)
CMYK
cmyk(0%, 100%, 12%, 30%)

Etymology

Adamant
adjective

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Brindisi
noun

Italian Adriatic port city — once the Roman Brundisium, terminus of the Via Appia, and a major Phoenician-and-Roman purpura shellfish-dye production center. Brindisi color refers to a Brindisi-dyed Roman toga praetexta with its purple-edged border: a saturated, slightly cool deep violet with the matte finish of multi-bath murex-shellfish dye on multi-rolled woolen toga fabric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b2009c
Original
#00529f
Protanopia
#546999
Deuteranopia
#bb205a
Tritanopia
#313131
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B2009C
Display P3
Display P3
color(display-p3 0.6391 0.1272 0.5929)
P3 has visible headroomOKLCH chroma 0.232

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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