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Elfin Aizu

#b1b2d4
Notes

Elfin Aizu (#B1B2D4) is a soft blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (238°, 29%, 76%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b1b2d4
RGB
rgb(177, 178, 212)
HSL
hsl(238, 29%, 76%)
HWB
hwb(238 69% 17%)
OKLCH
oklch(77.4% 0.048 283.9)
P3
color(display-p3 0.6948 0.6979 0.8205)
HSV
hsv(238, 17%, 83%)
LAB
lab(73.51% 6.57 -17.23)
LCH
lch(73.51% 18.44 290.86)
CMYK
cmyk(17%, 16%, 0%, 17%)

Etymology

Elfin
adjective

Old English ælf, elf — adjectival suffix -in. As a color modifier, elfin implies a pale-and-small-and-mischievous-magical quality, the pale color of Tolkien-and-Lord-of-the-Rings and Pre-Raphaelite-painting elf-and-supernatural fey-and-magical iconography. Sits at the pale-and-ethereal end of the grid, parallel to fairylike and sylphine in usage.

Aizu
noun

Japanese feudal domain (Aizu-han) of the Edo period — a samurai region in modern Fukushima famous for aizu-momen, the indigo-dyed cotton woven by samurai-class women during the Tokugawa shogunate's lean years. Aizu color refers to a freshly aizu-momen-woven indigo cotton: a saturated, slightly cool deep blue-violet with the matte finish of multi-bath natural indigo on hand-spun cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b1b2d4
Original
#aab6d6
Protanopia
#a9b4d3
Deuteranopia
#aab8bd
Tritanopia
#b4b4b4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.06:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.19:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B1B2D4
Display P3
Display P3
color(display-p3 0.6948 0.6979 0.8205)
Inside sRGBOKLCH chroma 0.048

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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