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Bubbly Asfar

#b18f16
Notes

Bubbly Asfar (#B18F16) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (47°, 78%, 39%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b18f16
RGB
rgb(177, 143, 22)
HSL
hsl(47, 78%, 39%)
HWB
hwb(47 9% 31%)
OKLCH
oklch(66.3% 0.130 91.0)
P3
color(display-p3 0.6729 0.5659 0.2051)
HSV
hsv(47, 88%, 69%)
LAB
lab(60.83% 1.94 61.39)
LCH
lch(60.83% 61.42 88.19)
CMYK
cmyk(0%, 19%, 88%, 31%)

Etymology

Bubbly
adjective

Imitative-onomatopoeic origin — adjectival suffix -y, evoking the sound of bubbles. As a color modifier, bubbly implies a saturated-and-effervescent-and-cheerful quality, the bright color of Champagne-and-Prosecco effervescent-wine carbonation-bubble-light reflection. Sits at the bright-and-effervescent end of the grid, parallel to fizzy and effervescent in usage.

Asfar
noun

The Arabic word for yellow — used in Quranic and classical Arabic poetry for the yellow of saffron and the gold of desert dust. Asfar names the color across the entire Arab world, from Morocco to Oman. The color refers to fresh saffron in an Arab kitchen: a saturated, slightly cool yellow with the dusty finish of plant pigment.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b18f16
Original
#a18d00
Protanopia
#a99720
Deuteranopia
#c0827a
Tritanopia
#8d8d8d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.08:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.81:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B18F16
Display P3
Display P3
color(display-p3 0.6729 0.5659 0.2051)
P3 has subtle headroomOKLCH chroma 0.130

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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