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Conquering Tufted Crimson

#b12a1e
Notes

Conquering Tufted Crimson (#B12A1E) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (5°, 71%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b12a1e
RGB
rgb(177, 42, 30)
HSL
hsl(5, 71%, 41%)
HWB
hwb(5 12% 31%)
OKLCH
oklch(50.1% 0.173 29.6)
P3
color(display-p3 0.6388 0.2120 0.1560)
HSV
hsv(5, 83%, 69%)
LAB
lab(39.75% 53.06 40.36)
LCH
lch(39.75% 66.67 37.25)
CMYK
cmyk(0%, 76%, 83%, 31%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Tufted
modifier

Old French touffe, tuft. As a color modifier, tufted implies a hand-tufted-and-puffed quality, the visual register of Edwardian-and-Belle-Époque-tufted-upholstery hand-tufted-and-puffed-and-upholstered velvet-and-silk-and-leather tufted-and-puffed-upholstery surfaces under Edwardian-and-Belle-Époque hand-tufted-upholstery-and-cushion light. Sits at the modifier-and-texture end of the grid, parallel to fluff and flock in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b12a1e
Original
#544b1b
Protanopia
#756817
Deuteranopia
#c30029
Tritanopia
#464646
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B12A1E
Display P3
Display P3
color(display-p3 0.6388 0.2120 0.1560)
P3 has subtle headroomOKLCH chroma 0.173

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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