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Authoritative Mater Crimson

#b05080
Notes

Authoritative Mater Crimson (#B05080) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (330°, 38%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b05080
RGB
rgb(176, 80, 128)
HSL
hsl(330, 38%, 50%)
HWB
hwb(330 31% 31%)
OKLCH
oklch(56.7% 0.136 351.1)
P3
color(display-p3 0.6432 0.3353 0.4954)
HSV
hsv(330, 55%, 69%)
LAB
lab(47.66% 44.55 -8.15)
LCH
lch(47.66% 45.29 349.64)
CMYK
cmyk(0%, 55%, 27%, 31%)

Etymology

Authoritative
adjective

Latin auctōritāt-, authority — adjectival suffix -ive. As a color modifier, authoritative implies a saturated-and-formal-imperative quality where the hue carries decisional weight and institutional credibility. Sits at the bold-and-authoritative end of the grid, parallel to commanding and magisterial in usage.

Mater
modifier

Latin mater, mother. As a color modifier, mater implies a Latin-mother-and-Stabat-Mater-and-Madonna quality, the visual register of Stabat-Mater-and-Pietà-mater hand-Latin-mother-and-Stabat-Mater-and-Madonna Stabat-Mater-and-Pietà-mater-and-Marian-iconography mater-and-Latin-mother surfaces under Stabat-Mater-and-Pietà-mater-and-Marian-iconography Roman-and-Counter-Reformation Madonna-iconographic-light. Sits at the modifier-and-Latin end of the grid, parallel to pater and amor in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b05080
Original
#5c6682
Protanopia
#75777e
Deuteranopia
#bc4c62
Tritanopia
#686868
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.88:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B05080
Display P3
Display P3
color(display-p3 0.6432 0.3353 0.4954)
P3 has subtle headroomOKLCH chroma 0.136

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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