Lordly Charm Violet

Old English hlāford-līc, lord-like — adjectival suffix -ly. As a color modifier, lordly implies a saturated-and-aristocratic-and-haughty quality, the deep-rich color of pre-modern English-and-French manorial-aristocracy livery and hereditary-estate household-textile. Sits at the bold-and-aristocratic end of the grid, parallel to princely and patrician.

Latin carmen, song-or-spell. As a color modifier, charm implies a beguiling-and-enchanted-and-disarming quality, the visual register of Provençal-troubadour-and-Renaissance-courtly-charm hand-beguiling-and-enchanted-and-disarming Provençal-troubadour-and-Renaissance-courtly-and-Belle-Époque-salon charmed-and-beguiling-and-enchanted-and-disarming surfaces under Provençal-troubadour-and-Renaissance-courtly-and-Belle-Époque-salon candlelit-and-rose-scented-and-disarming drawing-room-light. Sits at the modifier-and-mood end of the grid, parallel to grace and blithe in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.