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Booming Edomurasaki

#b02e98
Notes

Booming Edomurasaki (#B02E98) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (311°, 59%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b02e98
RGB
rgb(176, 46, 152)
HSL
hsl(311, 59%, 44%)
HWB
hwb(311 18% 31%)
OKLCH
oklch(53.9% 0.199 336.6)
P3
color(display-p3 0.6358 0.2233 0.5796)
HSV
hsv(311, 74%, 69%)
LAB
lab(43.44% 62.22 -29.10)
LCH
lch(43.44% 68.69 334.94)
CMYK
cmyk(0%, 74%, 14%, 31%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Edomurasaki
noun

Edo-period purple (江戸紫) — the deep blue-tinted purple popularized by Edo-period (1603–1867) Tokyo townsfolk and kabuki actors, distinguished from the warmer Kyoto kyō-murasaki. Edomurasaki color refers to a kabuki actor's Sukeroku role costume: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root dye on lined silk crepe. Cooler than Kyomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b02e98
Original
#315a9b
Protanopia
#5e6e95
Deuteranopia
#b93760
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.69:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B02E98
Display P3
Display P3
color(display-p3 0.6358 0.2233 0.5796)
P3 has visible headroomOKLCH chroma 0.199

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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