Heavy Comet Crimson

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Greek κομήτης, long-haired-or-tailed-star. As a color modifier, comet implies an icy-and-tailed-and-streaked quality, the visual register of Halley-and-Hale-Bopp-comet hand-icy-and-tailed-and-streaked Halley-and-Hale-Bopp-and-Encke-comet comet-and-icy-and-tailed-and-streaked surfaces under Halley-and-Hale-Bopp-and-Encke-comet sun-grazing-and-coma-and-ion-tail outer-system-arc-light. Sits at the modifier-and-cosmic end of the grid, parallel to meteor and nebula in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.