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Sprinkled Edo

#afb8d8
Notes

Sprinkled Edo (#AFB8D8) is a soft blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (227°, 34%, 77%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#afb8d8
RGB
rgb(175, 184, 216)
HSL
hsl(227, 34%, 77%)
HWB
hwb(227 69% 15%)
OKLCH
oklch(78.6% 0.047 272.9)
P3
color(display-p3 0.6927 0.7204 0.8363)
HSV
hsv(227, 19%, 85%)
LAB
lab(75.05% 3.54 -17.10)
LCH
lch(75.05% 17.47 281.69)
CMYK
cmyk(19%, 15%, 0%, 15%)

Etymology

Sprinkled
adjective

Middle Dutch sprenkel, spot — past-participle of sprinkle. As a color modifier, sprinkled implies a pale-and-scattered-and-dotted quality, the pale color of baker's-confection scattered-and-decorative-sugar-and-jimmies finely-scattered-decorative-pattern surface-finish. Sits at the pale-and-soft end of the grid, parallel to dusted and scattered in usage.

Edo
noun

The Tokugawa shogunate's capital (1603–1867), now Tokyo — and the period when aizome indigo dyeing democratized to commoners under sumptuary laws restricting brighter colors to the daimyo class. Edo color refers to an Edo-komon indigo-dyed cotton: a saturated, slightly cool deep blue-violet with the matte finish of fermentation-vat aizome dye on commoner cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#afb8d8
Original
#afbbda
Protanopia
#acb7d7
Deuteranopia
#a5bec2
Tritanopia
#b8b8b8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AFB8D8
Display P3
Display P3
color(display-p3 0.6927 0.7204 0.8363)
Inside sRGBOKLCH chroma 0.047

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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