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Loud Damascus

#af72fa
Notes

Loud Damascus (#AF72FA) is a soft indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (267°, 93%, 71%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af72fa
RGB
rgb(175, 114, 250)
HSL
hsl(267, 93%, 71%)
HWB
hwb(267 45% 2%)
OKLCH
oklch(67.6% 0.198 302.1)
P3
color(display-p3 0.6519 0.4576 0.9500)
HSV
hsv(267, 54%, 98%)
LAB
lab(59.93% 50.33 -59.30)
LCH
lch(59.93% 77.78 310.32)
CMYK
cmyk(30%, 54%, 0%, 2%)

Etymology

Loud
adjective

Old English hlūd, making noise — borrowed metaphorically as a color word since the nineteenth century. Loud red, loud yellow: a color so saturated it announces itself without needing surrounding context. Sits in the bright-bucket extreme alongside electric and striking. Carries a slightly pejorative implication of excess.

Damascus
noun

Syrian Silk Road capital — and the medieval Levantine purple-textile depot where Byzantine and Mamluk purple silks were processed and re-exported. Damascus color refers to a Damascus-style damask-weave purple silk in the Great Umayyad Mosque's treasury: a saturated, slightly cool deep violet with the silk luster of multi-bath Tyrian-and-indigo overdye on damask-weave Syrian silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af72fa
Original
#3d8fff
Protanopia
#5290f7
Deuteranopia
#a18cab
Tritanopia
#898989
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.61:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF72FA
Display P3
Display P3
color(display-p3 0.6519 0.4576 0.9500)
P3 has visible headroomOKLCH chroma 0.198

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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