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Abundant Leo Brick

#af3e32
Notes

Abundant Leo Brick (#AF3E32) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (6°, 56%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af3e32
RGB
rgb(175, 62, 50)
HSL
hsl(6, 56%, 44%)
HWB
hwb(6 20% 31%)
OKLCH
oklch(52.1% 0.150 29.2)
P3
color(display-p3 0.6352 0.2735 0.2205)
HSV
hsv(6, 71%, 69%)
LAB
lab(42.45% 45.36 31.96)
LCH
lch(42.45% 55.49 35.17)
CMYK
cmyk(0%, 65%, 71%, 31%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Leo
modifier

Latin leo, lion-of-the-zodiac. As a color modifier, leo implies a lion-and-fire-sign-and-Sun-ruled-fixed-fire quality, the visual register of Hellenic-Leo-and-Nemean-lion hand-lion-and-fire-sign-and-Sun-ruled-fixed-fire Hellenic-Leo-and-Nemean-lion-and-Hercules-twelve-labors leo-and-lion-and-fire-sign surfaces under Hellenic-Leo-and-Nemean-lion-and-Hercules-twelve-labors high-summer-and-July-and-August fixed-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to cancer and virgo in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af3e32
Original
#5d5530
Protanopia
#796d2f
Deuteranopia
#c0223c
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.90:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF3E32
Display P3
Display P3
color(display-p3 0.6352 0.2735 0.2205)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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