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Victorious Path Crimson

#af2f27
Notes

Victorious Path Crimson (#AF2F27) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 64%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af2f27
RGB
rgb(175, 47, 39)
HSL
hsl(4, 64%, 42%)
HWB
hwb(4 15% 31%)
OKLCH
oklch(50.3% 0.166 28.2)
P3
color(display-p3 0.6324 0.2258 0.1823)
HSV
hsv(4, 78%, 69%)
LAB
lab(40.08% 50.98 35.64)
LCH
lch(40.08% 62.20 34.96)
CMYK
cmyk(0%, 73%, 78%, 31%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Path
modifier

Old English pæth, foot-trodden way. As a color modifier, path implies a foot-worn-pasture-track quality, the visual register of South-Downs-Way-and-Pennine-Way foot-trodden chalk-and-limestone-and-peat long-distance walking-track surfaces under hill-and-moorland English-walking-country light. Sits at the modifier-and-place end of the grid, parallel to lane and road in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af2f27
Original
#554d25
Protanopia
#756922
Deuteranopia
#c1002e
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.26:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF2F27
Display P3
Display P3
color(display-p3 0.6324 0.2258 0.1823)
P3 has subtle headroomOKLCH chroma 0.166

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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