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Punchy Gaul Hibiscus

#af2455
Notes

Punchy Gaul Hibiscus (#AF2455) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (339°, 66%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af2455
RGB
rgb(175, 36, 85)
HSL
hsl(339, 66%, 41%)
HWB
hwb(339 14% 31%)
OKLCH
oklch(50.3% 0.176 5.7)
P3
color(display-p3 0.6308 0.1941 0.3342)
HSV
hsv(339, 79%, 69%)
LAB
lab(39.64% 57.33 6.69)
LCH
lch(39.64% 57.72 6.66)
CMYK
cmyk(0%, 79%, 51%, 31%)

Etymology

Punchy
adjective

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Gaul
modifier

Latin Gallia, Gaul. As a color modifier, gaul implies a pre-Roman-French-Celtic quality, the visual register of Gallia-Belgica-and-Gallia-Aquitania pre-Roman-period hand-carved bronze-and-iron Celtic-Gaulish chieftain-and-druid surfaces under pre-Roman Gallia-Aquitania-and-Gallia-Belgica Celtic-tribal forest light. Sits at the modifier-and-cultural end of the grid, parallel to celtic and roman in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af2455
Original
#484c56
Protanopia
#6d6752
Deuteranopia
#bf003a
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.55:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.21:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF2455
Display P3
Display P3
color(display-p3 0.6308 0.1941 0.3342)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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