colors
Back to gallery

Gladiatorial Welsh Violet

#af1a65
Notes

Gladiatorial Welsh Violet (#AF1A65) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (330°, 74%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af1a65
RGB
rgb(175, 26, 101)
HSL
hsl(330, 74%, 39%)
HWB
hwb(330 10% 31%)
OKLCH
oklch(50.1% 0.189 357.0)
P3
color(display-p3 0.6298 0.1689 0.3909)
HSV
hsv(330, 85%, 69%)
LAB
lab(39.23% 61.29 -4.05)
LCH
lch(39.23% 61.42 356.22)
CMYK
cmyk(0%, 85%, 42%, 31%)

Etymology

Gladiatorial
adjective

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Welsh
modifier

Old English Wælisc, of-Wales. As a color modifier, welsh implies a Cymric-and-slate quality, the visual register of Welsh-Cymric hand-built slate-and-stone-and-Welsh-wool valley-and-mountain hand-spun-and-hand-quarried surfaces under Welsh-Cymric Snowdonia-and-Brecon-Beacons valley light. Sits at the modifier-and-cultural end of the grid, parallel to celtic and scot in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af1a65
Original
#3f4b67
Protanopia
#676662
Deuteranopia
#be003e
Tritanopia
#3f3f3f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF1A65
Display P3
Display P3
color(display-p3 0.6298 0.1689 0.3909)
P3 has visible headroomOKLCH chroma 0.189

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas