colors
Back to gallery

Luminous Agora Peridot

#aed442
Notes

Luminous Agora Peridot (#AED442) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (76°, 63%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aed442
RGB
rgb(174, 212, 66)
HSL
hsl(76, 63%, 55%)
HWB
hwb(76 26% 17%)
OKLCH
oklch(81.6% 0.174 123.0)
P3
color(display-p3 0.7118 0.8270 0.3567)
HSV
hsv(76, 69%, 83%)
LAB
lab(79.89% -32.51 64.75)
LCH
lch(79.89% 72.46 116.66)
CMYK
cmyk(18%, 0%, 69%, 17%)

Etymology

Luminous
adjective

Latin lūminōsus, full of light — adjectival suffix -ous, derived from lūmen (light). As a color modifier, luminous implies a saturated-and-light-emitting quality where the hue carries internal-glow visual register. Sits at the bright-and-saturated end of the grid, parallel to radiant and resplendent in usage.

Agora
modifier

Greek agora, Greek-marketplace. As a color modifier, agora implies a Greek-and-Athens-marketplace quality, the visual register of Athenian-and-Spartan-Agora hand-built marketplace-and-civic-meeting-square agora-and-stoa-and-bouleuterion classical-Greek architectural surfaces under Athenian-Agora-and-Spartan-Lacedaemon classical light. Sits at the modifier-and-architecture end of the grid, parallel to forum and stoa in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aed442
Original
#e0c72b
Protanopia
#dbc64e
Deuteranopia
#b7cab7
Tritanopia
#c1c1c1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AED442
Display P3
Display P3
color(display-p3 0.7118 0.8270 0.3567)
P3 has subtle headroomOKLCH chroma 0.174

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas