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Pure Peplos Fuchsia

#ae4c93
Notes

Pure Peplos Fuchsia (#AE4C93) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (317°, 39%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ae4c93
RGB
rgb(174, 76, 147)
HSL
hsl(317, 39%, 49%)
HWB
hwb(317 30% 32%)
OKLCH
oklch(56.6% 0.153 339.4)
P3
color(display-p3 0.6350 0.3207 0.5640)
HSV
hsv(317, 56%, 68%)
LAB
lab(47.33% 48.67 -20.08)
LCH
lch(47.33% 52.65 337.58)
CMYK
cmyk(0%, 56%, 16%, 32%)

Etymology

Pure
adjective

Latin purus, clean, unmixed — applied to color since antiquity for hues that contain only one pigment without dilution by white, black, or another color. Pure red is the textbook ideal: high saturation, mid lightness, no shift. Sits at the bold-bucket center, parallel to true and strong.

Peplos
modifier

Greek πέπλος, Hellenic-women's-robe. As a color modifier, peplos implies a Hellenic-women's-peplos-and-pinned-shoulder quality, the visual register of Hellenic-peplos-and-Athena-Parthenos hand-Hellenic-women's-peplos-and-pinned-shoulder Hellenic-peplos-and-Athena-Parthenos-and-Panathenaic-festival peplos-and-Hellenic-women's-peplos surfaces under Hellenic-peplos-and-Athena-Parthenos-and-Panathenaic-festival Athenian-Acropolis-and-Panathenaic-procession Hellenic-court-light. Sits at the modifier-and-textile end of the grid, parallel to chiton and tunic in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ae4c93
Original
#506695
Protanopia
#6c7690
Deuteranopia
#b74e69
Tritanopia
#666666
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.25:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AE4C93
Display P3
Display P3
color(display-p3 0.6350 0.3207 0.5640)
P3 has subtle headroomOKLCH chroma 0.153

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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