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Victorious Reach Hibiscus

#ae322c
Notes

Victorious Reach Hibiscus (#AE322C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (3°, 60%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ae322c
RGB
rgb(174, 50, 44)
HSL
hsl(3, 60%, 43%)
HWB
hwb(3 17% 32%)
OKLCH
oklch(50.5% 0.162 27.3)
P3
color(display-p3 0.6293 0.2345 0.1980)
HSV
hsv(3, 75%, 68%)
LAB
lab(40.35% 49.73 33.01)
LCH
lch(40.35% 59.69 33.58)
CMYK
cmyk(0%, 71%, 75%, 32%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Reach
modifier

Old English ræcan, to extend. As a color modifier, reach implies a tidal-river-stretch quality, the visual register of Thames-Reach-and-Severn-Reach mid-river deep-water tidal-stretch-and-mudflat working-river surfaces under London-Thames-and-Severn-Estuary tidal-river overcast working light. Sits at the modifier-and-place end of the grid, parallel to strand and bank in usage.

Hibiscus
noun

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ae322c
Original
#564e2a
Protanopia
#756928
Deuteranopia
#c00132
Tritanopia
#4c4c4c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.29:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AE322C
Display P3
Display P3
color(display-p3 0.6293 0.2345 0.1980)
P3 has subtle headroomOKLCH chroma 0.162

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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