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Heavy Burtuqāl

#ae2b08
Notes

Heavy Burtuqāl (#AE2B08) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (13°, 91%, 36%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ae2b08
RGB
rgb(174, 43, 8)
HSL
hsl(13, 91%, 36%)
HWB
hwb(13 3% 32%)
OKLCH
oklch(49.5% 0.172 34.1)
P3
color(display-p3 0.6282 0.2133 0.1073)
HSV
hsv(13, 95%, 68%)
LAB
lab(39.15% 51.34 48.95)
LCH
lch(39.15% 70.94 43.63)
CMYK
cmyk(0%, 75%, 95%, 32%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Burtuqāl
noun

The Arabic word for orange — borrowed from Burtuqāl (Portugal), which introduced sweet oranges (Citrus sinensis) to the Mediterranean from East Asian sources in the sixteenth century. The color refers to fresh Arabic-grown sweet oranges: a saturated, slightly cool orange with the satin finish of citrus rind. The Arab-world's name for a fruit named for the country that brought it.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ae2b08
Original
#544a00
Protanopia
#746700
Deuteranopia
#c00026
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AE2B08
Display P3
Display P3
color(display-p3 0.6282 0.2133 0.1073)
P3 has subtle headroomOKLCH chroma 0.172

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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