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Majestic Sol Fuchsia

#ae24c8
Notes

Majestic Sol Fuchsia (#AE24C8) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (290°, 69%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ae24c8
RGB
rgb(174, 36, 200)
HSL
hsl(290, 69%, 46%)
HWB
hwb(290 14% 22%)
OKLCH
oklch(55.7% 0.243 320.4)
P3
color(display-p3 0.6272 0.1935 0.7576)
HSV
hsv(290, 82%, 78%)
LAB
lab(44.85% 72.43 -55.25)
LCH
lch(44.85% 91.10 322.66)
CMYK
cmyk(13%, 82%, 0%, 22%)

Etymology

Majestic
adjective

Latin māiestātis, majesty — adjectival suffix -ic. As a color modifier, majestic implies a saturated-and-imposing-grandeur quality, the deep-rich color of Salisbury-Cathedral-and-Chartres-Cathedral Gothic-architecture monumental presence against the open sky. Sits at the bold-and-imposing end of the grid, parallel to regal and imperial.

Sol
modifier

Latin sol, sun-and-Roman-sun-god. As a color modifier, sol implies a Roman-sun-god-and-stellar-disc quality, the visual register of Roman-Sol-Invictus-and-Apollo-sun hand-Roman-sun-god-and-stellar-disc Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot sol-and-Roman-sun-god-and-stellar-disc surfaces under Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot December-25-and-Helios-and-quadriga noon-stellar-disc-light. Sits at the modifier-and-zodiac end of the grid, parallel to luna and terra in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ae24c8
Original
#0061cc
Protanopia
#386fc5
Deuteranopia
#af4a79
Tritanopia
#4d4d4d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AE24C8
Display P3
Display P3
color(display-p3 0.6272 0.1935 0.7576)
P3 has visible headroomOKLCH chroma 0.243

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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