Earnest Hover Fuchsia

Old English eornost, seriousness, zeal. Used as a color modifier since the nineteenth century for hues that read as committed but unshowy — the working blues of denim, the deep greens of Quaker meetinghouses. Sits in the bold-and-quiet corner of the grid, slightly less luminous than resolute and slightly less institutional than imperial.

Middle English hoveren, to-remain-suspended. As a color modifier, hover implies a suspended-and-floating-and-hesitant quality, the visual register of kestrel-and-hummingbird-hover hand-suspended-and-floating-and-hesitant kestrel-and-hummingbird-and-dragonfly hovered-and-suspended-and-floating-and-hesitant surfaces under kestrel-and-hummingbird-and-dragonfly heat-shimmer-and-summer-meadow-and-cliff-edge mid-air-light. Sits at the modifier-and-mood end of the grid, parallel to float and flit in usage.

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.