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Buzzed Linden

#ad900a
Notes

Buzzed Linden (#AD900A) is a true amber with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (49°, 89%, 36%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad900a
RGB
rgb(173, 144, 10)
HSL
hsl(49, 89%, 36%)
HWB
hwb(49 4% 32%)
OKLCH
oklch(66.1% 0.133 94.3)
P3
color(display-p3 0.6601 0.5690 0.1901)
HSV
hsv(49, 94%, 68%)
LAB
lab(60.65% -0.65 63.42)
LCH
lch(60.65% 63.42 90.59)
CMYK
cmyk(0%, 17%, 94%, 32%)

Etymology

Buzzed
adjective

Imitative-onomatopoeic origin — past-participle of buzz, evoking the sound of bee-hum. As a color modifier, buzzed implies a saturated-and-vibrating-and-active quality, the bright color of insect-pollinator and neon-lamp low-amplitude-buzz visual-vibration. Sits at the bright-and-active end of the grid, parallel to jazzed and wired in usage.

Linden
noun

The genus Tilia — the European linden or basswood, whose pale yellow-green flowers perfume European parks in early summer and yield the tilleul tisane of French herbal medicine. The color refers to fresh linden flowers in June: a soft, slightly green-shifted pale yellow with the matte finish of small clustered florets.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad900a
Original
#a18d00
Protanopia
#a89619
Deuteranopia
#bc837a
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.77:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD900A
Display P3
Display P3
color(display-p3 0.6601 0.5690 0.1901)
P3 has subtle headroomOKLCH chroma 0.133

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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