colors
Back to gallery

Valiant Diana Crimson

#ad3632
Notes

Valiant Diana Crimson (#AD3632) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (2°, 55%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad3632
RGB
rgb(173, 54, 50)
HSL
hsl(2, 55%, 44%)
HWB
hwb(2 20% 32%)
OKLCH
oklch(50.8% 0.156 26.2)
P3
color(display-p3 0.6264 0.2466 0.2176)
HSV
hsv(2, 71%, 68%)
LAB
lab(40.83% 48.09 29.98)
LCH
lch(40.83% 56.67 31.94)
CMYK
cmyk(0%, 69%, 71%, 32%)

Etymology

Valiant
adjective

Latin valēns, strong — present-participle of valēre, sharing root with English value and valor. As a color modifier, valiant implies a saturated-and-courageous-and-firm quality, the deep-rich color of Crusader-and-Knight-Templar military-religious-order vestment. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and heroic in usage.

Diana
modifier

Latin Diana, Roman-goddess-of-moon-and-hunt. As a color modifier, diana implies a Roman-goddess-and-moon-and-hunter-and-virgin quality, the visual register of Roman-Diana-and-Ephesian-Artemis hand-Roman-goddess-and-moon-and-hunter-and-virgin Roman-Diana-and-Ephesian-Artemis-and-Lake-Nemi diana-and-Roman-goddess-and-moon-and-hunter surfaces under Roman-Diana-and-Ephesian-Artemis-and-Lake-Nemi Aventine-Hill-and-Nemi-grove moonlit-grove-light. Sits at the modifier-and-myth end of the grid, parallel to luna and hera in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad3632
Original
#575031
Protanopia
#756a2e
Deuteranopia
#be1336
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.35:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD3632
Display P3
Display P3
color(display-p3 0.6264 0.2466 0.2176)
P3 has subtle headroomOKLCH chroma 0.156

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas