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Mighty Akamurasaki

#ad288f
Notes

Mighty Akamurasaki (#AD288F) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (314°, 62%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad288f
RGB
rgb(173, 40, 143)
HSL
hsl(314, 62%, 42%)
HWB
hwb(314 16% 32%)
OKLCH
oklch(52.5% 0.198 339.0)
P3
color(display-p3 0.6241 0.2041 0.5457)
HSV
hsv(314, 77%, 68%)
LAB
lab(41.83% 62.11 -26.21)
LCH
lch(41.83% 67.41 337.12)
CMYK
cmyk(0%, 77%, 17%, 32%)

Etymology

Mighty
adjective

Old English mihtig, strong — adjectival suffix -y, sharing root with German mächtig. As a color modifier, mighty implies a saturated-and-strong-presence quality, where the hue commands visual attention through pure pigmentation strength. Sits at the bold-and-saturated end of the grid, parallel to forceful and commanding in tone.

Akamurasaki
noun

Japanese 赤紫, red-purple — the modern Japanese color name for the warm magenta-purple band that sits between aka (red) and murasaki (purple). Akamurasaki color refers to a Showa-period silk furisode obi: a saturated, slightly cool deep magenta with the silk luster of multi-bath beni-and-shikon overdye on patterned silk crepe. Slightly cooler than akane-iro.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad288f
Original
#305592
Protanopia
#5d6a8c
Deuteranopia
#b72e59
Tritanopia
#4c4c4c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD288F
Display P3
Display P3
color(display-p3 0.6241 0.2041 0.5457)
P3 has visible headroomOKLCH chroma 0.198

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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