Anchored Pegasus violet

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Greek Πήγασος, winged-horse-of-myth. As a color modifier, pegasus implies a winged-horse-and-Great-Square quality, the visual register of Pegasus-Great-Square-and-winged-horse hand-winged-horse-and-Great-Square Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus pegasus-and-winged-horse-and-Great-Square surfaces under Pegasus-Great-Square-and-winged-horse-and-autumn-Pegasus October-and-November-autumn-zenith autumn-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to cygnus and draco in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.