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Chivalrous Deneb violet

#ad0372
Notes

Chivalrous Deneb violet (#AD0372) is a true magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (321°, 97%, 35%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad0372
RGB
rgb(173, 3, 114)
HSL
hsl(321, 97%, 35%)
HWB
hwb(321 1% 32%)
OKLCH
oklch(49.4% 0.205 349.7)
P3
color(display-p3 0.6212 0.1271 0.4372)
HSV
hsv(321, 98%, 68%)
LAB
lab(38.14% 65.53 -13.95)
LCH
lch(38.14% 67.00 347.99)
CMYK
cmyk(0%, 98%, 34%, 32%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Deneb
modifier

Arabic dhanab-al-dajājah, tail-of-the-hen. As a color modifier, deneb implies a Cygnus-tail-and-summer-triangle quality, the visual register of Cygnus-Swan-and-Summer-Triangle-Deneb hand-Cygnus-tail-and-summer-triangle Cygnus-Swan-and-Summer-Triangle-and-Bortle-1-sky deneb-and-Cygnus-tail-and-summer-triangle surfaces under Cygnus-Swan-and-Summer-Triangle-and-Bortle-1-sky July-and-August-summer-vista white-supergiant-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to vega and altair in usage.

violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad0372
Original
#304874
Protanopia
#60636f
Deuteranopia
#bb0042
Tritanopia
#2f2f2f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.92:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.03:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD0372
Display P3
Display P3
color(display-p3 0.6212 0.1271 0.4372)
P3 has visible headroomOKLCH chroma 0.205

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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