Antiseptic Nutmeg Verdigris
Antiseptic Nutmeg Verdigris (#ACE6B2) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (126°, 54%, 79%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek anti- (against) plus sēptikós (putrefying) — adjectival suffix -ic. As a color modifier, antiseptic implies a clear-and-disinfected-and-clinical quality, the crisp color of medical-laboratory and operating-theater hand-scrub-and-sanitizer surfaces. Sits at the crisp-and-clean end of the grid, parallel to sterile and sanitary in usage.
Latin nux-muscata, musk-nut. As a color modifier, nutmeg implies a warm-and-grated-and-Banda-Islands-musk-nut quality, the visual register of Banda-Islands-and-Spice-Islands-nutmeg hand-warm-and-grated-and-Banda-Islands-musk-nut Banda-Islands-and-Spice-Islands-nutmeg-and-Maluku nutmeg-and-warm-and-grated surfaces under Banda-Islands-and-Spice-Islands-nutmeg-and-Maluku Banda-Islands-and-Run-and-Maluku Spice-Islands-musk-light. Sits at the modifier-and-flavor end of the grid, parallel to clove and mace in usage.
The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.