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Dominant Pelt Crimson

#ac2d1e
Notes

Dominant Pelt Crimson (#AC2D1E) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (6°, 70%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ac2d1e
RGB
rgb(172, 45, 30)
HSL
hsl(6, 70%, 40%)
HWB
hwb(6 12% 33%)
OKLCH
oklch(49.5% 0.166 30.5)
P3
color(display-p3 0.6213 0.2182 0.1550)
HSV
hsv(6, 83%, 67%)
LAB
lab(39.15% 50.43 39.44)
LCH
lch(39.15% 64.02 38.03)
CMYK
cmyk(0%, 74%, 83%, 33%)

Etymology

Dominant
adjective

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Pelt
modifier

Old French pellete, small-skin. As a color modifier, pelt implies a fur-with-skin-and-hide quality, the visual register of fur-trapper-and-Hudson-Bay-Pelt hand-trapped-and-skinned beaver-and-otter-and-mink hand-trapped-fur-pelt-and-hide surfaces under Hudson-Bay-and-fur-trapper hand-trapped pelt-and-hide trading-post light. Sits at the modifier-and-texture end of the grid, parallel to hide and fur in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ac2d1e
Original
#544a1b
Protanopia
#736617
Deuteranopia
#be002b
Tritanopia
#474747
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AC2D1E
Display P3
Display P3
color(display-p3 0.6213 0.2182 0.1550)
P3 has subtle headroomOKLCH chroma 0.166

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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