Unyielding Isis Crimson

Old English un- (negation) plus gildan (to give-up). As a color modifier, unyielding implies a saturated-and-uncompromising quality where the hue refuses to fade-or-shift under any visual pressure. Sits at the bold-and-resilient end of the grid, parallel to indomitable and adamant in usage.

Egyptian Aset, throne-and-mother-goddess. As a color modifier, isis implies a winged-and-throne-and-mother-goddess quality, the visual register of Egyptian-Isis-and-Philae-temple hand-winged-and-throne-and-mother-goddess Egyptian-Isis-and-Philae-temple-and-Osirian-myth isis-and-winged-and-throne-and-mother-goddess surfaces under Egyptian-Isis-and-Philae-temple-and-Osirian-myth Nile-and-Philae-Aswan-temple winged-throne-light. Sits at the modifier-and-myth end of the grid, parallel to horus and thoth in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.